Supports third party DirectX, VST 2.0 and ReWire plug-ins.Built-in effects include Reverb, Compression, Parametric and Graphic EQ, Echo, Auto-volume, Pitch Shift, Chorus, Multiband Compression, Spectrum analyzer.Adjust the effect settings and listen to the result in real time.Sample-accurate MIDI tracks can be sent to VSTi/DXi software MIDI synths, without the need of expensive hardware MIDI synths. Supports VST Instruments and DirectX Instruments synth plug-ins.Is compatible with multichannel Asio, WaveRT, WDM and MME audio drivers, which means that n-Track can work with almost any soundcard available today with the lowest possible latency.Supports 16 and 24 bit single and multichannel soundcards at sampling frequencies up to 192 Khz using Asio, WaveRT, WDM, MME and DirectSound.DirectX, VST and ReWire effects can be added to each channel/track.Records and plays back a virtually unlimited number of audio and MIDI tracks.Create melodies using the internal keyboard with our built-in virtual instruments.Import grooves & create beats using our Step Sequencer Beat Maker.Add & edit audio tracks using our Loop Browser & royalty-free sample packs.Record a track with the built-in mic or an external audio interface.Try n-Track Studio for free: if you like it you can subscribe & unlock standard or advanced features* n-Track Studio supports AUi and VSTi instrument plug-ins & ReWire technology to stream audio from other compatible audio programs. MIDI tracks can be imported, exported, and edited using the built-in Pianoroll window. Edit songs, share them online & join the Songtree community to collaborate with other artists. Record a virtually unlimited number of Audio, MIDI & Drum Tracks, mix them during playback and add effects: from Guitar Amps, to VocalTune & Reverb. N-Track Studio is a powerful Audio & MIDI multitrack recorder that turns your Mac into a complete Recording Studio and Beat Maker. Includes our industry-leading Step Sequencer beat maker, loops & playable instruments. Produce Music & Beats with n-Track Studio.
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